The details are a bit hazy, but I think I first became
acquainted with Horst-Peter Schmidt and Graham Allman-Talbot (the duo known as
Starbyrd), separately, via an INTERNET search using the words "Byrds"
and "jangle." It is quite fortuitous how search engines bring music
fans and musicians together.
You now hold in your hands further evidence of
contemporary irony: without today's technology, the music of Starbyrd - which
is deeply rooted in the pop, rock, folk-rock and country-rock music of the 60s
and 70s - might not exist. Be grateful that two very talented Boomer generation
singer/songwriter/musicians could bridge the distance between them, forge a
musical alliance and collaborate on such a fine album. Fifteen years ago,
Horst-Peter Schmidt and Graham Allman-Talbot might never have found one
another. Through INTERNET dialogue and digital files, they have merged their
skills to share fifteen original songs and two terrific cover songs with a 21st
century audience.
If you dig music that harkens back to the Sunset Strip
scene of the mid-60s, you'll be glad you're along for the ride. Horst-Peter and
Graham did not select the moniker STARBYRD by accident! These songs are
overflowing with the great Rickenbacker 12-string electric guitar jangle that
Roger McGuinn has showcased throughout his career - as a founding member of the
Byrds and as a solo artist. Starbyrd's songs - which feature chiming, ringing
electric riffs and acoustic guitar flourishes - should also resonate with fans
of George Harrison, the Beatles, Tom Petty, CSNY and the Eagles.
The McGuinn influence on Starbyrd's music is
predominant and inescapable. Starbyrd recorded one of the cover songs -
"Handle With Care" - hoping that it would sound like a version of the
song had Roger McGuinn been a member of the Traveling' Wilburys. They succeeded
so well in their endeavor that Graham and Horst-Peter might now be considered
the other "should have been" members of the Wilburys.
The second, less-known cover song included herein is a
Roger and Camilla McGuinn-penned tune that McGuinn featured in his 80s concert
repertoire but never recorded - "The Tears." Through the marvels of
modern technology, Graham and Horst-Peter worked closely with Roger and his
wife, Camilla, to craft their version of this wonderful song. Without mimicking
the composer's solo stylings, Starbyrd recorded "The Tears" in a
Byrds-inspired manner that should make Roger proud.
On The Other Side Of Mad is replete with musicianship,
production quality and artistic passion that is absent from far too many other
"side projects." I heartily recommend that you visit the Starbyrd
website and link to Horst-Peter's and Graham's respective websites to learn
more about these two gifted artists' previous recordings. Horst-Peter Schmidt
has been the driving force behind three very fine albums released by the German
band Different Faces. In addition, Horst-Peter has a backlog of exceptional
unreleased solo material. Graham Allman-Talbot has released two superb albums
under the moniker GAT. Their musical similarities go far beyond their nimble
Rickenbacker 12-string guitar-playing skills and make them as natural a pop
music partnership as John Lennon and Paul McCartney or Roger McGuinn and Gene
Clark.
Play this album, discover the crisp and chiming Starbyrd
sound and enjoy the melodic enchantment that is evident in every song. Like me,
you will hope that further collaborations are in the offing. You will also
learn to appreciate the value of a "Byrds" or "jangle" word
search on the INTERNET - since it just might lead to a friendship with, and
allegiance to, musicians like Graham and Horst-Peter.
Eric Sorensen - "Jangly" music columnist,
www.fufkin.com INTERNET magazine
Camilla McGuinn writing about 'The Tears'
One day as I was walking by Roger's studio, he called
out to me, "Camilla, come in here I want you to hear a song that a group
of musicians have recorded together in different countries via the
internet." I sat down in my usual chair and listened to a song he played
for me on his computer. I was amazed. I knew the song. I wrote the lyrics. It
was "The Tears".
Memories came flooding back to the day on the airplane
when the song was written on a paper napkin. I had been thinking about the time
I had spent in college and the dormitory where I lived. As is with young women
tears are a part of the passage of life. Sometimes tears come because of truly
devastating events, sometimes from lost loves and sometimes just because the
soul needs a release. In my dorm it was not unusual to pass by a door and hear
the sounds that come with tears.
The tintinnabulation of Edgar Allen Poe's poem,
"The Bells" began ringing in my mind as I thought of those tears, so
my poem began. When I finished it, I read it to Roger and we came up with a
melody.
Roger sang it live at some shows and even made a rough
demo of the song, but we put it on the shelf and there it stayed until
"Starbyrd" asked permission to record it for their new high tech CD.
Starbyrd's rendition captures the emotion of the song
and when I heard it, my eyes filled with tears. Camilla McGuinn –August 2004 _________________________________________________________________________________________
Well first off I
want to say that Starbyrd did a wonderful version of McGuinn's The Tears - it
blew me away. The whole CD gave me Tears, Tears of JOY! The tears of joy you
get when you hear the jangle of a 12 string Rickenbacker played front and
center around a wonderful band.
Starbyrd is top
notch in every way, it's a Byrds/McGuinn fan's dream come true. All of their
songs are well written and performed and the 2 cover songs are great. I always
thought McGuinn should have been a Willbury. It is a GREAT time to be a Byrds
fan. We have so much to be thankful for. We have Byrds Of A Feather giving us
live early sounding Byrds shows and now we have Starbyrd giving us new songs
done in tradition of the Byrds, not a copy though. Starbyrd does somehow have
their own sound. I hope Byrds fans all over the world buy Starbyrd, you will be
thrilled.
I think Starbyrd
is GREAT!!!! The first 2 songs (on the EP) are really good, but the third one
"Equal Minds" blew me away, all I can say is WOW! I don't think Paul
McCartney could write a song as good as that today. Reviewer: Clark Eldridge
Fantastic
Dueling Electric 12 String Rickenbackers !
Starbyrd has created an easy to listen to 1960s retro celebration chock full of
dueling electric Rickenbacker 12 strings that bring Roger McGuinn and The Byrds
to mind. Lots of great orignals and a few cover tunes that will please just
about everybody but especially fans of The Byrds and jangly music! Go Starbyrd
!!!!! Reviewer: Bill Kaffenberger (http://www.cdbaby.com/cd/starbyrd)
12
String Artistry
This cd is absolutely magnificent! A genuine artistry of the 12 string
Rickenbacher guitar sound coupled with carefully crafted songs that are
extremely melodic. A shame that more of this type of music isn't being created
today. But Starbyrd makes up for that in spades. One of the best albums I've
heard in the last 25 years hands down.
Reviewer: Riverman (http://www.cdbaby.com/cd/starbyrd)
We need more
Starbyrd on the Radio with Equal Minds good sound go for it Starbyrd Reviewer: Trick
(http://www.cdbaby.com/cd/starbyrd) Miss the Byrds?
Graham Allman-Talbot, Horst-Peter Schmidt, and Ritchie Dunlop + mates come to
your rescue with 17 Rickenbacker 12-string saturated tracks! Check out their
very “Mr. Tambourine”-like “It’s Still Me”! This CD contains more than 100% of
your minimum daily requirement of Byrdsy goodness! We love this stuff! Includes
a cover of the Traveling Wilburys’ “Handle With Care” and their version of a
previously unreleased Roger McGuinn song – “The Tears”! EXCELLENTLY
JANGLY!!! Reviewer: Ray
Gianchetti (Kool Kat Music)
STARBYRD, a BYRDS
related band, have released their first CD called ON THE OTHER SIDE OF MAD.It
is filled with Byrds-sounding songs. Actually, it sounds more "Byrds"
than any solo album recorded by ex-Byrds members (except maybe for Roger
McGuinn's Back From Rio).(BYRDSFLYGHT STRONGLY RECOMMENDS THIS ALBUM)
It contains an
excellent version of an hitherto unreleased Roger McGuinn / Camilla McGuinn
song called THE TEARS (which Roger performed live in the mid-80s). Roger helped
the band with suggestions for the recording, and Camilla wrote part of the
booklet liner notes. Reviewer: Raoul Verolleman (http://users.skynet.be/byrdsflyght/)
Graham
Allman-Talbot and Horst-Peter Schmidt were kind enough to send me an advance
copy of their forthcoming Starbyrd album - On The Other Side Of Mad. Byrds fans
and Roger McGuinn fans should not miss this disc when it is released later this
summer. Graham, a Brit who records under the moniker GAT, and Horst-Peter, who
fronts the German band Different Faces, are both disciples of McGuinn and his
Rickenbacker 12-string playing style. As those old Wrigley gum ads used to say,
"Double your pleasure, double your fun!"
On The Other Side
Of Mad features 17 songs that are overflowing with chiming, ringing and
jangling Rickenbacker riffs - including a cover of the Travelin' Wilburys'
"Handle With Care" and a terrific cover of McGuinn's "The
Tears." The latter song was performed frequently as part of McGuinn's
mid-80s concert repertoire, but Roger never recorded the song. I can't think of
a better artist to tackle and record this song than Starbyrd! In fact, Graham
and Horst-Peter received some long-distance advice on how to record the song
from Roger himself. A month ago, when Roger was touring Europe, Graham and
Horst-Peter attended Roger's concert in Belgium and socialized with him
after the show.Long may you
jangle, Sir Graham and Sir Horst-Peter!
Eric Sorenson ("Jangly"
music columnist, www.fufkin.com INTERNET magazine)